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| "#66CCCC" size="5">Virginia
Reel ! (vur'jinya-real) |
The
dance comes from a pre-Christian Irish dance "Rinnce Fadha",
which evolved into the English country dance called the Sir
Roger de overly ... which was the original name name
of the Virginia Reel (Addisons Song) while the dance named
"Dance after the Husking " was the predecessor
to the Virginia Reel.
The
Virginia Reel was a country folk and later Square
Dance, which was also considered a Contre-Dance in England,
it was mainly danced in
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Barns and schoolhouses. The Reel may be from Scotland, but is
considered English and was popular between 1830 and 1890.
Sir Roger de Coverly was born in Worcestershire, England and passed
away on October 23, 1712. His great Grandfather was who the dance
was named. This dance is formed in sets of six or eight couples,
in two lines, the ladies on one side and their partners directly
opposite. The lady at the top and the gentlemen at the bottom
of the line forward and back ... 4 Bars.
-- There are many variations of
this dance, some are very simple and some become more complicated.
The Virginia Reel is a weaving type dance with the reel being
the second of the three parts of the Virginia Reel. The Reel was
done in 4/4 time. The step used in the Virginia reel is an easy,
a sort of swinging trot, and exact time should be kept with the
music. The top and bottom couples dance together, the lady of
the top couple dancing with the gentleman of the bottom couple,
and vice versa. The Virginia reel was danced by eight or more
couples. The dancers formed two lines down the middle of the room
with the gentlemen on one side and the ladies being on the other,
facing one another. The
lines should not be too close together, as nearly all the dancing
is done between them and crowding was to be avoided. The couples
may be designated as first, second, third, and so on to the last
couple; and the top and bottom couples are obviously those at
the head and foot of the column. Every couple in turn became top
or bottom at least once during the dance.
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Birth Place |
Creation Date |
Creator |
Dance Type |
| England
(but considered American) |
c.1680s |
n/a |
Country
Dance |
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Night Clubs |
Theaters |
Locations |
| New
Eldorado-Leadville, CO. |
n/a |
n/a |
| The
Hurdy-Gurdy House-Virginia City-MO. |
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Films / Movies |
Television |
Ballets / Stage |
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| N/A |
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| 1898
- Clog Dancing |
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| 1898
- Irish Jig |
N/A |
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| 1898
- Sailor's Hornpipe |
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| 1898
- Scotch Reel |
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Publications |
| $1939
- Destry Rides Again |
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Harpers
Weekly - 1858 |
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Dancers, Choreographers etc. |
Political |
| Dan
Rice |
Marlene
Dietrich |
n/a |
| James
Stewart |
Master
Juba |
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Books, Magazine Articles on the dance... |
| Title |
Author |
Date
Published |
Publisher |
| The
English Dancing Master |
Playford,
John |
1650's |
n/a |
| Analysis
Of Country Dancing |
Wilson,
Thomas |
1700's |
n/a |
| Cartier
and Barons Illust. Waltz and |
Cartier,
Valleau P. |
1789 |
DiWitt |
| The
Ballroom Monitor |
Brookes,
Professor |
1866 |
J.H.
Johnson |
| Down
Memory Lane |
Murray,
Arthur |
1954 |
Greenberg |
Musicians |
Bands |
Singers |
Poets / Writers |
| Addison |
n/a |
n/a |
John
Playford |
| Merry
Feet ? |
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Mark
Twain |
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Misc. Research Words that may be related ... to help your searches |
| Barn
Dance |
Irish
Fiddle |
Wild
West |
Longways |
| Hurdy
Gurdy |
Mining
Town (s) |
Do-Si-Do |
Sets |
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Other...
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| Basic
Step,
For this dance form two lines, ladies on one side, gents on the
other, facing each other.
Basic Figure ...
Top lady and bottom gentleman move forward to center, bow, and
return to places: their partners do the same: forward again and
turn with right hands: partners the same: forward again and turn
with both hands: partners the same; the top couples, separate
and lead outside to bottom, (followed by the others,) join
hands at bottom and lead up to places:
Then all join right hands, raising them so as to form an arch,
and the top couple join hands and run down the middle, the first
couple down the middle to bottom and remain there. All follow
and join partners at bottom of line and chassé
to places, taking their places at the bottom of the line, thus
becoming the bottom couple. The second couple now becomes the
top couple, and the figure is repeated. After all have gone through
the figure, they all forward and back, forward again and turn
partners, thus ending the dance. Repeat until all get through.
Any lively music will answer.
Note. -- The above can be danced in waltz time, which makes a
very pleasing change.
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