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The dance is described by many who were alive during the time as
a rough Lindy Hop style, only with a different starting pattern
(Stearns book gives a pretty good insight to the dance).
The basic footwork was a Kick and a Hop three times on each foot.
Imagine using a modern 6 count timing, it might have been something
like: 1-2&3 = Kick-step-step-step = Lt-Lt-Rt-Lt - repeat other
foot 4-5&6 (also see 8 count at bottom.) After these steps
were done, dancers did the Break-Away step and did what ever they
wanted to do, Most times the dancers did a Shuffle Step and swayed
back and forth, then back to the basic step again. The Break-Away
is described as pretty forceful during the time, as their were acrobatics
with the "throwing of their partners around" involved
at times. Stearns also writes that this dance was done many times
with 4 to 6 couples at a time
Many dance bands of the day would travel the "band circuit"
from San Francisco thru Mississippi to Kentucky, New Orleans etc.,
and end in New York and then start back again. The first written
record was
in San Francisco, California in 1909 .
Many dance bands or composers of the day would write dance music
that had the directions for doing the dance in the verses, such
as the Maxixe,
Texas Tommy,
Bunny Hug, Grizzly
Bear, Turkey
Trot etc. At the time, many Composer / Musicians
would look for a new dance to write a song about.
The "Fairmont Hotel" in
San Francisco is written to have given birth to the Texas Tommy,
which may or may not hbe true but did have a house band that regularly
played the Texas Tommy music and was a major place to be for dancing.
Dancers from Lew Purcell's would dance the Texas Tommy and make
it popular in San Francisco, many of these dancers would bring some
of the dances with them to the Fairmont, which was the swankiest
Hotel and ballroom at the time. Anyone who was anyone could be found
at the Fairmont doing all the latest dances.
Who originated the Texas Tommy is obscure,
but most likely it was being done and someone capitalized upon it.
Some say "Johnny Peters and his partner
Mary Dewsen, " two African-Americans, brought
the dance to San Francisco in 1911 from the South... but exactly
where, they don't say. Peters and Ethel
Williams became partners in 1912 and after Dewsen became
ill, Williams replaced her in Al Jolsons troupe. Williams and Peters
danced in contests all over the country and especially New York
City and the Barbary Coast, winning many contest dancing the One-Step,
Maxixe, Tango and Texas Tommy, etc., they were masters of the Tommy
and reportedly danced it regularly at the Fairmont when in town.
The Broadway musical entitled "The
Darktown Follies" held at the "Lafayette
Theater," Harlem in 1913 had a performance by Ethel
Williams dancing with Peters along
with some other performers, performing a dance called the "Texas
Tommy." The dance was a huge success of the show, only bested
by the group Circle dance by the cast. However her written performance
mentioned earlier supercedes this date of it originating here as
has been written (Note: "Ballin'
The Jack " was also introduced in this Musical.)
Another dance called the "Apache
Dance " used a "break-away
" ... the most popular pattern in the Apache was a "Behind
the Back turn" (pattern), most people to this day call
this pattern the "Texas Tommy" in Lindy
Hop or "Apache Whip/Turn" in West
Coast Swing , so the older Apache Dance may have had
something to do with the Texas Tommy... as the Apache was popular
around 1903 and the Apache was really the first couples dance to
use the break-away pattern described above.
Tommy by the way was a slang term for
a Trench or Foot Soldier in the 1890-1910's, which the song title
could be saying Texas Soldier. A 'Texas' Tommy was said to be a
female prostitute who also worked the trenches and/ or walked the
streets in the early 1900s.
The Texas Tommy may go all the way back to the Civil War...
however unlikely; There was a famous black dancer named "Tom
from Palestine, " Texas, that was known for "putting
a glass of water on his head and making his feet go like trip-hammers
and sounding something like a snare drum," he would "whirl
around and such" while all his movements were from the
"waist down, without spilling a drop of water." He was
known as "The Jigginest fellow ever was" (sounds
like Juba .)
Although this does not sound like a swing dance because he
danced by himself, and was probably doing a form of Jig or Buck
dancing, he may have later had something to do with the rhythms
and such. Another may have been in east Texas, by a well known
Blues Pioneer "Ragtime Texas Henry"
Thomas in the late 1800's, who played at many "Juke
Joint s" along the way to his fame.
note:
1) Also, there was a dance called "Come To Me Tommy" which
allowed dancers to dance real close, around 1912? (possible relation?
... dunno.)
2) In B.F. Keith's Programme for his shows (Vaudeville Bill),
writing about the "upcoming attractions on sept, 13, 1916",
it states in one actors description that "Even overseas in
the trenches the tommies sing". (never seen this word used
this way in a dance program except for there, could have meant a
Soldier). Probably no relation, but thought you might find it
interesting?
3) 10th Annual Rexall Drug Convention (A Smokers Convention)
held Sept 17-20, 1912. in St. Louis at the St. Louis Coliseum featured
Texas Tommy Dancers.
People who claimed its creation:
1) "Johnny Peters" is claimed by Marshall/ Stearns.
2) "Dutch Mike and Stella Johnson" are reported to be
the originators and invented the Texas Tommy Swing (2/18/1912 Oakland
Tribune).
3) "Max Goldsmith and Phil Freuise" tried to get a copyright
on the dance claiming themselves as creators.
4) A dance group called "Davis and Matthews" claimed they
created many of the steps (not the actual dance) for the Texas Tommy
around 1909/10 and were hired to bring a group of dancers to the
Winter Garden's "Whirl of Society" and do the Texas Tommy
dance (1/28/1912 article of the Fort Wayne Daily News, page 3).
5) Val Harris was reported to be the "Originator in the Court
hearings on banning the dance in San Francisco - She was present
for support of the dance (2/28/1912 - Modesto News)
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