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--
The Polonaise, also known as Danse
aux lumières , properly speaking is really
not a dance but rather a promenade or procession. The Polonaise
came from the Polish dance melodies of about 1585. Originally
the Polonaise was a grand marching dance, done by soldiers only
eventually becoming a court dance and was cionsidered similar
to the more lively Swedish Polska. It was said that the Polonaise
was a triumphal march of the old warriors, women did not
come into the dance until later, about 1645 , and then
as separate couples. The Polonaise became the Polish National
dance around 1790.
--Germany
became a big, big fan of the Polonaise. Later when the women appeared
in the dance (around 1645) its purpose was to offer the
lady in whose honor the ball or dance is given, to be able to
greet the guests and to invite them to participate in the lively
entertainment (like a social mixer). When Chopin
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arrived on the scene his music was much more solemn and the dance
took a new turn, becoming much more sedate and eventually became
the main style of the dance who he himself composed over 16 Polonaise
pieces (see Romantic Period). In all the aristocratic Courts,
and, above all, in those of Northern Europe ... from Vienna
to St Petersburgh
... the Polonaise was the most stately of the dances and and became
the prelude to the balls of the highest sphere of society, as
it was to Her Majesty's Bal Costumé
on the 6th of June, 1844.
-- In this purpose the honored lady
makes a tour of the hall (Grande Promenade), accompanied
by her partner, saluting each couple in turn. Each couple, after
having been greeted, fall in line behind the first couple (" Column
of twos" ), who continue their way around
the room until all have been greeted and taken their places in
the procession. Then they break off (Columns and castings of
two and four) into dance positions around the floor. From
that point the dancers, led by the first couple, passes arm in
arm between the couples, (Passage of the first half column)
the group separates and closes as each couple goes thru, repeating
till the last couple. Then just the ladies pass thru like above,
then just the men pass thru then returning back to the original
couples (Columns again) continuing on into "the Half
Moon or the Snake," and may at any time turn into a Polka
or Waltz , then
returning back into a polonaise. The "Grand Circle"
ends the precession. The step is a basic triple step in 3/4
time and starts with the right foot. At one time it was customary
to exchange ladies at different points in the Polonaise.
-- The polonaise is sometimes executed
at the end of the ball, except farewells replace greetings. There
are many exquisite figures for a polonaise, way to many to list
here. The Circassian Circle ,
or Sarabands , or an
ordinary waltz, were well adapted to follow the Polonaise.
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Birth Place |
Creation Date |
Creator |
Dance Type |
| Poland |
1585 |
Soldiers |
Processional |
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Night Clubs |
Theaters |
Locations |
| n/a |
n/a |
Germany |
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Poland |
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Films / Movies |
Television |
Ballets / Stage |
| n/a |
n/a |
6/6/1844
- Her Majesty's Bal Costumé |
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1907
- Les Sylphides |
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Sleeping
Beauty |
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Swan
Lake |
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Publications |
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Books, Magazine Articles on the dance... |
| Title |
Author |
Date
Published |
Publisher |
| World
History Of Dance |
Sachs,
Curt |
1936 |
W.W.
Norton |
| Dance
Encyclopedia |
Chujoy,
Anatole |
1949 |
A.S.
Barnes |
| Composers
/ Musicians |
Artists |
Poets / Writers |
| Bach,
Willhem Freidman (1710-1784) |
n/a |
n/a |
| Bach,
Johann Sebastian (1685-1750) |
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| Beethoven,
Ludwig van (1770-1827) |
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| Bohm |
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| Chopin,
Frédéric-François (1810-1849)
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| Handel,
George Frideric (1685-1759) |
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Links |
| Hassler,
Hans Leo |
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USC.edu/Polonaise |
| Liszt,
Franz (1811-1886) |
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| Mozart,
Wolfgang Amadeus (1756-1791) |
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| Schubert,
Franz (1797-1828) |
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| Sychra,
Joseph (circa 1772) |
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Misc. Research Words that may be related ... to help your searches |
| Chodzony |
March |
Romantic Period |
War |
| Classical Music |
Nobility |
Solemn |
Warriors |
| Courtly |
Polonez |
Stately |
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| Kosciuszko Insurrection |
Promenade |
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