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The Pavane (Pavane / Pavanne - French) or Pavin was a dance
of Court (a renaissance dance)
and was called the "le grand bal"
because it was used on state occasions. In the sixteenth century
it was originally believed >
to be an animal dance from Padua, Spain
>and
was known as the Padovana or the
"Peacock dance" (Pavo)
in Italy. It has also been said that Ferdinand
Cortez>,
a Spaniard invented the dance.
->
However it was actually a solemn ceremonial dance from Italy
around 1508 (Pavana / Padovana-Italian). The Pavane (said
to be from the Basse) along with the Basse
and Round dances are of the first
"social dances" in Europe. The Passamezzo
(passo e mezzo) was a lighter and more
lively pavane and around 1546. The Pavane was renamed as the 'Passamesa'
in all written works and by 1636 was no longer danced. The Pavane
became very common in England around THE 1540's.
->
The Pavane was a verysolemn couples gliding
dance done with long gliding (walking) steps in procession with
many curtsies, retreats and advances. The lady rests her hand
on the back of the man's, with ceremonial dignity. Spain's new
fashions in dress led the way for the Pavane, and consisted of
gentlemen dressed with caps and swords,
Princes in their mantles, and ladies in gowns and long trains
dancing with a kind of strut-like motion, resembling that of a
peacock and the ladies sweeping their trains of their dresses
in this dance.
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The dance was very simple, the dancers only had one group of steps:
two single steps and one >
double step, moving forward or backwards done to 4/4 time. Towards
the end of the sixteenth century >
"skips" (fleurets),
were added as well as the dance being performed by a single couple
(Pavana Matthei)
->
The upper-class and nobility favored these dances at the time
and was most popular in Italy, Spain and France. It has been said
the Minuet comes from the Pavane (but the Courante
is more correct). The Minuetor Galliard followed
> the
Pavane (after-dance). The Pavane was replaced by the Courante
(Louis XIV put the Pavane aside for the Courante).
>
->
The Pavane was also known as the Pavin, Pauanes
(French), or Panicinand Pavin (English). It
is done to a 2/4 >
time signature. The Pavane is a non-Pantomimic
dance. The 16th. Century had what was called the Moor's
Pavane. The Pavane d' Espagne, is
said to have been invented by Ferdinand
Cortez on his return from Mexico and was danced by knights
in their coat of mail, and by women draped in their manta. As
it was a very solemn dance, it was diversified by many gestures,
and thus lost its physiognomy (features) for a time. Later,
however, it regained its original character, then again it became
full of affectations. It was much danced during the reign of Louis
XIV (1638-1715,) and afterwards seems to have disappeared.
Costume :
was of silks, satins, and rich brocade, made up after the style
of the Medici days. The men in feathered
hats of the Tudor shapes, close habits, puffed breeches, and shoulder
capes, with swords at their sides, as the courtiers of Queen
Elizabeth's (1553-1603) Courts. The women would wear velvet
or satin trains from the shoulders attached beneath ruffs, over
brocaded or satin gowns with the distinct front breadth of lace
or jeweled embroidery, hoops, long pointed bodices with jeweled
stomachers, and sleeves puffed from shoulder to wrist.
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Birth Place |
Creation Date |
Creator |
Dance Type |
| Italy |
1508 |
n/a |
n/a |
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Posters, Lobby Cards etc. |
Sheet Music Covers |
Music Titles |
| n/a |
n/a |
Dr
Case's Pavan (Dowland) |
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Padouana
für 4 Krummhörner (Schein) |
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Pass'e
mezzo antico (Mainerio, Neusiedler,
Paix) |
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Pavan (Bulman) |
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Pavane
- Funerals (Holborne) |
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Pavane
3, 4, 13 (Attaignant) |
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Pavane
de Alexandre, for vihuela (Mudarra) |
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Pavane
et gaillarde Ferrareze (Gervaise) |
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Pavane
La Cornetta (1530) |
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Pavan
Lachrymae (Eyck) |
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Moor's
Pavane (Purcell) |
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Si
je m'en vais - Pavane (Adrian) |
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Spero
Pavane (Holborne) |
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The
Earl of Salisbury-Pavane (Byrd) |
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Night Clubs |
Theaters |
Locations |
| n/a |
n/a |
Italy |
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Padua,
Spain |
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Films / Movies |
Television |
Ballets / Stage |
| 1935
- The Moor's Pavane |
n/a |
The
Alchemist |
| $1950
- The Moor's Pavane |
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1930
- Passionate Pavane |
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1933
- Pavane Pour une Infante Defunte |
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1940's
- Capriol Suite |
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Publications |
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n/a |
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Dancers, Choreographers etc. |
Political |
| Francis
I. Florio (1500s) |
Salva
& Juan Timoneda (1540s) |
1551-1589
- Henry III |
| Frederick
Ashton (1930) |
Sir
Christopher Hatton (1598) |
1553-1603
- Queen Elizabeth |
| Joyce
Greme |
Walter
Gore (1933) |
1553-1615
- Marguerite de Valois (Navarre Qn.) |
| Jose
Limon Co. (Moors) |
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1638-1715
- Louis
XIV |
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Books, Magazine Articles on the dance... |
| Title |
Author |
Date
Published |
Publisher |
| Intabolatura
de Lauto |
Petrucci |
1508 |
n/a
(Venice) |
| II
Ballarino |
Caroso,
Fabritio |
1581 |
n/a |
| History
Of Music |
n/a |
n/a |
n/a |
| A
History Of Dance |
Johnston,
Reginald S. |
1905 |
Simpkins-Kent
& Co. |
| World
History Of Dance |
Sachs,
Curt |
1937 |
Norton
& Co. |
| Dance
Encyclopedia |
Chujoy,
Anatole |
1949 |
A.S.
Barnes |
| Composers
/ Musicians |
Artists |
Poets / Writers |
| Attaignant,
Pierre (c.1494-1552) |
n/a |
Ronsard
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| Bulman,
Baruch (c.1600) |
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Sir
John Suckling |
| Byrd,
William (1543-1623) |
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William
Shakespeare |
| Dowland,
John (c.1563-1626) |
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| Eyck,
Jacob (c.1590-1657) |
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| Gervaise,
Claude (c.1525-1583) |
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| Holborne,
Anthony (15??-1602) |
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| Leroy,
Adrian (c.1520-1598) |
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| Mainero,
Georgio (c.1535-1582) |
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| Mudarra,
Alonso (1541-1580) |
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| Neusiedler,
Hans (1509-1593) |
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| Paix,
Jacob (16th Century) |
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| Purcell,
Henry (1659-1695) |
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| Ravel,
Maurice (1875-1937) |
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| Schein,
Johann Hermann (1586-1630) |
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Misc. Research Words that may be related ... to help your searches |
| Gowns,
Long Trains |
Pavanes
Divesre |
Pavo
(Latin) |
Renaissance
Period |
| Passy-measure |
Pavin |
Peacock |
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| size="+2" "Ain
Spanyelischer hoff Dantz" |
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Other...
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