The lively and rhythmic Juba (aka: giouba) which may have been related to theRing Shout was a group dance consisting of a mix of European Jigs, Reel Steps, Clog dance with African Rhythms thrown in, becoming popular in the Minstrel Circuit around 1845.
Onlookers would form a circle and two men would be in the center doing hand clapping, vigorous foot stomping and hand patting of the thighs, with feet turned out, and heels clicking together, generally the dancers had one leg raised as they danced a counter-clockwise circle... they would end the dance with a step called the 'Long Dog Scratch.' When the singers forming the circle (dancers doing a call and response form) said "Juba, Juba!, the whole circle would join in for a brief time.
When the law allowed, the dance used only a drummer. Later Juba music was supposedly named after William Henry Lane [1825-1862 (or 1848?)] who was more famously known as "Master Juba". Henry Lane was a master
of the Jig, Clog, Giouba and the Ring Shout. The Juba dance consisted of steps called the Long Dog Scratch, Jubal Jew, Yaller Cat, Pigeon Wing and Blow that Candle Out.
It's predecessor was also known as "Pattin' Juba" done by traditional West African tribes and was brought to the states by the slaves. Pattin' Juba started any dance form with a clapping or slapping of the thighs, the chest, knees and body thus creating a rhythm pattern. Many times the slaves would be involved in an impromptu gathering and had no instruments to dance, so they would "Pat" there own rhythms. Later during the slave revolt, slave owners were starting to get wise to the use of drums being used for more than just dancing and feared the potential of talking drums (the Yoruba Drum namely) to "speak" in a tongue unknown to the slave traders and thus to incite rebellion, these and other drums were once banned from use by African American slaves in the United States. Dancing was generally not banned however and the slaves had to use other device, such as Pattin' Juba to create the sounds for dance as well as to hide messages in the rhythms as the pattin' sounds could be heard for a distance. Not unlike how the indians used smoke signals, the slaves used sounds.
The Juba dance was supposedly the indirect creation of Tap dance in America as an theatrical art form and American Jazz dance. Master Juba was in a few dance contests held at Vauxhall Gardens as well as a few other locations and he beat all comers, including the famous white dancer "John Diamond," who was the previous Worlds Clog Champion, not once but twice!. It is also called "Djouba" and in Haiti, where it is done as a set dance called "The Martinique."
Note: Historically, the name Juba (Joob) as well as his son, was a king of Numidia in N Africa 85 BC- 46 BC. He fought on the side of Metellus Scipio and took his life after Caesar's victory at Thapsus. His son gained the title and married Cleopatra Selene who was daughter to Cleopatra and Antony.
Also Juba is the capital of Bahr el Gebel State and headquarters of the Bahr el Jebel province; it is also the historic capital of Southern Sudan. There also is a River named Juba in NE Africa, rising in S central Ethiopia and flowing south across Somalia to the Indian Ocean: the chief river of Somalia.Jubal in the Old Testament is the alleged inventor of musical instruments (Genesis 4:21) and probably is related to the step above called the 'Jubal Jew.'
Africa / USA
1840s
n/a
Plantation Dance
In The Bottoms - Juba Dance ($ Suite)
$ In The Bottoms - Juba Dance
Juba (1913)
1941 - Juba (Dett)
Juba stomp
Juba and a O'Brown Squaw (Marsalis)
Juba Beats (Juba)
Juba Dance (Sinatra)
Juba-Juba-Jubalee (Laine)
$ I Pagliacci, Act i: Veste La Juba
Ross' Juba (Ross)
$ Third Symphony (Price-1940)
Uncle Tom's Jig
Dickens' Dance House (1835)
Buckingham Palace (for Queen Victoria)
1848 - Vauxhall Gardens
Africa
Colonial Williamsburg
Congo Square, Place
Five Points District (NY)
France
Ireland
Mississippi
New Orleans
USA
1898 - Clog Dancing
Octoberfest: Polka dancers
1898 - Irish Jig
1833 - Long Island Juba (Bowery)
1898 - Sailor's Hornpipe
1898 - Scotch Reel
1941 - Jungle Jig
1953 - Tam Tam nell'oltre Giuba
JUBA!: Masters of Tap & Percussion Dance
Bambuca
Djouba (Juba)
John Kunering (Canoeing)
Pattin' Juba
Roger de Coverly
Bamboula (Haiti/Congo)
Djuka Dance (Cuba)
Jonah's Band (1910s)
Pattin Rabbit Hash
Shoe Fly
Barn Dance
Folk Dance
Jubilate (Trpudium)
Pedestal Dance
Square Dance
Breakdown
Gigue (Jig)
Jump Jim Crow
Pigeon Wing
Tap
Buck Dance
Giuba
Martinique (Juba)
Reels
Turkey in the Straw
Cakewalk
Hambone
Mess Around, The
Ring Dance
Virginia Reel
Clog
Hornpipe
Old Zip Coon
Ring Shout
Walk Around
Coonjaint (Riverboat Shuffle)
Jig (Gigue)
Colleen ????
Thomas Dartmouth "Daddy" Rice
King Joobor Juba I (c. 85 BC - 46 BC)
Ethiopian Serenaders - (1848)
Tom from Palestine
Johnny Diamond
White's Serenaders Minstrel Troupe - (1846)
Golden and Grayton (1890s - Pattin' Rabbit Hash)
William Henry Lane (Master Juba)
Pell's Ethiopian Serenaders - (1848)
Character & Oriental Dances
Frost, Helen
1927
A.S. Barnes
Dance Encyclopedia, the
Chujoy, Anatole
1949
A.S. Barnes & Co.
$ Jazz Dance
Stearns, Marshall
(1954) rv.1994
Da Capo Press
Jig, Clog, and Breakdown Dancing Made Easy, With Sketches of Noted Jig Dancers
E. James
1873
-
Juba and American minstrelsy
Hannah, Marian
1946
Auvergne Publishers
Juba This, Juba That (Juba based Children's Book)
Virginia A. Tashjian
1969
Little, Brown
$ Juba To Jive: A Dictionary of African-American Slang
Major, Clarence
(1970) 1994
Penguin USA
Yorston's Popular History of the World, Division 3 (Rome "The End Of Juba")
John C. Yorston
1883
Black Face" Eddie Ross
Charles Dickens - American Journals
Florence Beatrice Smith Price (1887-1953)
Langston Hughes (Minstrel-Jonah Man)
R. Nathaniel Dett
Mark Twain (1840s)
Stephen Foster ?
Victor Symphony Orchestra
Wynton Marsalis
Ante-bellum
Juba drums of Haiti
Jubilee (creating Joy)
Black face
Jubbah
Jujube (Sweet)
Zip Coon
Beatles: I Am The Walrus
Jubal (Person-Old Testament)
Nago (Africa-Cult)
Zulu origin
Dance Contests
Jubilant (Shout of Joy)
Ring shout
Ibo (Africa-Cult)
Jubilare (17 Century Latin)
Vaudeville
Jim Crow
Jubilation (Feeling of Joy)
Vernacular
There are many variations of the song lyrics below.
SONG Lyrics: Juba Juba Juba 'dis and Juba 'dat, and Juba kissed 'da yellow cat, You sift the meal and ya gimme the husk, you bake the bread and ya gimme the crust, you eat the meat and ya gimme the skin, and that's the way, my mama's troubles begin...