The Glide waltz (1870's) held a popularity until the advent of the Hesitation Waltz and Ragtime music. The Hesitation Waltz is a variation of the Boston waltz (a two step count fwd and back waltz) around 1880. The Hesitation Waltz gets its name from the "Pause or Hesitation" in the music. This music along with the Boston or "drop step Boston" formed the Hesitation. Althought he Hesitation originally only had ten variations it did not last long because the dance became too difficult to do as it originally had many backbreaking and leg breaking contortions added to it. Many instructors were creating too many figures (by public demand) and eventually they became to difficult for the average dancer to do. The Hobble Skirt was the dress of choice for the ladies to dance the Hesitation.
The Hesitation Valse (1880s) is a variety of the true Valse that can very easily be performed once the Valse is known. Defined in a nutshell,
the "Hesitation" is a halt on one foot (with the other foot suspended in the air or a dragging motion) during the whole "1-2-3" of the beat of the music, or during the "2-3" only of every alternate "1-2-3." The ways of performing the "hesitation" are many and varied, and no way can be said to be more orthodox or correct than any other. It's popularity soared into the 1910s and by 1913 was one of the main dances done with the exhibition dance teams of the time and rag-dancing. By 1914 it wa being replaced by a new dance called the Dream Hesitation which won the contest for new dances of the year.
In 1913 Albert Newman created the Hesitation Boston (One Step per Measure) which merged with the Boston, in which he used a pattern he called the "The Stroll" he states: Gracefully walk backward four steps, starting with the left foot one measure, right foot one measure, left foot one measure and right foot one measure. Now walk forward to the left oblique, having the lady in Yale Position four steps (left foot one measure, right foot one measure, left foot one measure, right foot one measure). Second Part.-- Boston Turning to the right four measures". This is also very similar to the stroll of the 1960s.
In London the Boston was also called the Berceuse or Cradle Boston which was the form of Boston most popular at the time and reportedly the most difficult dance for the ballroom on account of the simplicity of its composition. It depended entirely upon each individual to create a most graceful dance, from actually only one step to the measure, and to rotate progressively around the room. After a little practice by the beginner it will be noticed that there was not much progression in this movement, and that it was quite difficult to move as quickly around the room as in the old dance (the Waltz and the Two-step); so it was necessary to add a few other movements which will bring about the desired result, Such as the Spanish Boston and the Herring Bone Boston which was taught for several years, closely resembling the Hesitation Waltz which was so popular at the time. The Canter Waltz was basically two steps per measure. One of the leading exponents of the Hesitation in the 1910s was Maurice Mouvet who had a Hesitation Waltz song dedicated to him with the Castles following the way. The hesitation waltz merged with the Boston and today is just a variation of the Waltz and is one popular choice of the traditional 'First Dance' songs used in Weddings.
Because of the Hesitation Waltzes popularity many other dances were designed to include Hesitations such as the Hesitation Tango which came shortly after the Hesitation Waltz popularity in the 1910s and the Hesitation Boston, Hesitation One-step and others.
USA
1880 (1913)
Albert Newman
BALLROOM
~ Allegro #3 (Grande Waltz)
Carmelita - Spanish Hes. (Rybak)
$ Always and Forever (L. Vandross)
~ Chopin: 'Minute Waltz'
1914 - Bluebird Waltz Hesitation
Baarcarolie (Waltz Hesitation)
~ Fatima's Waltz
1914 - Dreams at Sunset (Losey)
Can't Help Falling in Love (E. Presley)
~ Skater's Waltz
1915 - Geraldine - Valse-Hes (Lodge)
Cecile (Waltz Hesitation)
~ Tennessee Waltz
1914 - Hacienda
Dreaming (Boston Hesitation)
~ The Old New Waltz
1914 - Irresistible Hesitation Waltz
Ebb Tide (Righteous Bro.)
~ Waltz in A-flat Major
1914 - Just A Moment! (Alstyne)
Esmeralda (Waltz Hesitation)
1914 - La Pauza
Flame Of Love
1914 - Maurice's L' Hesitation
Friends For Life (Debbie Boone)
1914 - Merry Madness (Allen)
1914 - My Lady Jane
1914 - Skylark
L'Estudiantina
1914 - Society Hesitation
$ 1993 - Hesitation Waltz
Love Thoughts
Valse Boston Hesitation
Millicent (Waltz Hesitation)
Valse June Hesitation
Passing of Saloma
Tango - Hesitation
Valse Marguerite (James R. Europe)
When you're away from the only girl
The Occasionals - Back in Step
$ Wizards & Wildmen (W)
$ Gloria Cheng: Piano Dance (T)
$ Barber: Complete Solo Piano (T)
Broadway Theatre (1908)
England
Casino Theatre (1911)
France
Century Theatre (1921)
Majestic Theatre (1937)
Order "Dances thru time Video" Vol II
1955 - Great Waltz
1908 - A Waltz Dream
1963 - Waltz King
1911 - The Kiss Waltz
LOC - Video Clip (Free)
1921 - The Last Waltz
1897- Bowery Waltz
1937 - Three Waltzes
1911 - Teaching McFadden to Waltz
1912 - Percy Learns to Waltz
1912 - Von Weber's Last Waltz
1918 - Magic Waltz
$ 2001 - Invitation to Dance
1920 - Hesitation Waltz
$ 1993 - You Can Dance Waltz
1928 - Strauss, the Waltz King
$ 1997 - How To Waltz at Your Wedding
1929 - The Dream Waltz
$ 1999 - Bring Back the Romance of Dance
1932 - The Waltz King
1933 - Waltzes from Vienna
1933 - Waltz Time
1934 - Farewell Waltz
1935 - Invitation to the Waltz
1935 - Royal Waltz
11/23/1913 - Washington Post (Hesitaion explained)
1936 - The Last Waltz
1937 - Champagne Waltz
$ 1938 - Great Waltz
1938 - Waltz Melodies
1/13/1914 - Lima Daily News (New Dance - Dream Hesitation Waltz)
1941 - The Old Waltz
10/4/1914 - Decatur (Tango-Itus)
$ 1945 - Tauber Waltz Time
$ 1947 - Emperor's Waltz
1948 - Valse brillante
$ 1948 - Yvonne Printemps: Paris Waltz
1952 - Walzer von Strauss
$ 1953 - Bartered Bride / Last Waltz
1953 - Emperor Waltz
$ 1955 - The Great Waltz
$ 1971 - The Mephisto Waltz
$ 1978 - The Last Waltz
Aeroplane Waltz
Maxixe
Schottische
Valse Boston
Gavotte
Mazurka
Tango
Viennese Waltz
Boston, The
Glide Waltz
Turkey Trot
Waltz
Grizzly Bear
One Step
Two-Step
Walzen
Canter Waltz
Polka
Valse
Wedding Waltz
Castle Walk
Lame Duck
Quickstep
Fox-Trot
March
Parisienne Kick Hesitation
The Dow Hesitation
Castle Hesitation
Hesitation Waltz
Pivot Hesitation
The Stately Hesitation
Dream Hesitation
Maori Hesitation
Sebastian Hesitation
Half Time Waltz
Maurice Hesitation
Swallow Hesitation
Harvard Hesitation Waltz
Ocean Roll Hesitation
The Dip Hesitation
Hesitation
Open Hesitation
A.P. Furman
Nicholas Magallanes
Arthur Murray
Radie Furman (AP's daughter)
Florence Walton
Tanaquil Le Clerq
The Castles
Maurice Mouvet
Handbook of Ballroom Dancing
Cartier, P.
1888
DeWitt
The Tango and Other Up to Date Dances
Hopkins, J. S.
1914
Saalfield Pub. Co.
Modern Dancing
Castle, Vernon
World Syndicate Co
Moving Picture Book
Liggett & Myers
n/a
Social dancing of today
Kinney, Margaret
Frederick A. Stokes
The modern dances
Walker, Caroline
Saul brothers
Hesitation Waltz Basic Steps: (c.1888) Men start Left foot forward, Ladies do opposite below: Main Variation: do basic waltz then step three times ("1--2-3"), then do a single step ("1") and hesitate ("2-3"). It will be seen that the first step leading to the hesitation is always performed in this variety with the right foot; and that it is the right foot always that is suspended in the air (1880s) during the hesitation. Modern way is step one, bring Left Foot together on two with no weight placed and hold that position for three. Second Variation: Take one step forward with the left foot (to the whole beat "1-2.3" of the music), then a similar step forward with the right foot ("1--2-3"), rook backwards ("1--2-3"), rock forwards ("1--2-3), basically a one step waltz for three beats variation, then continue waltzing. Third Variation: Boston addition: Do the above step twice, then go into the plain Boston for four beats. ' In case any one is not familiar with the Boston, it is a case of stepping back and forth to the music of one, two, three, but only stepping one two,; one - two forward back, 1-2 forward back, and when you can do that you count the same and pivot around as in a plain waltz.