The Branle
[Brahn-lee] is a French (Renaissance dance) that was well documented in the Festival
of Nance in 1445, however it was called the Conje'
(End) and was also performed on the Field of the
Cloth of Gold" in 1520 and was a very gay and quick dance (generally
danced outdoors) by a group, either in line or circle.
It was considered a Court
Dance sometimes being referred to as a carole. The name comes
from Branler (Shake) and Brander (Brandish). The English |
called the Branle "the
Brawl" and described it as "a winging step and anterior kick and
swing, the lifting of the leg, the twisting of the feet and the side fling of the foot are
frills of past dances". The dance was said to be based on the Kick of a Cow ("rû
de vache").
Every French province had its own Branle; the Bretons
called theirs 'Passepied'
or 'Trihoris'. The Branle du Haut
Barrois was specially reserved for attendants and waiting-maids, but was indulged
in by the gentry when they disguised themselves as shepherds and shepherdesses as a pastime.
There were also Branles
mimés, such as the Branle des lavandières,
where the movement of washing clothes was imitated by hand gestures, and the Branle
des ermites, for which monks' attire was donned. The ronde and game 'sur
le Pont d'Avignon ' is a survival of this dance, which was given in two files, the
performers crossing their hands over the chest, and bowing in cadence.
The Branle of the Torch
was said to have been danced admirably by Marguerite de Valois
and the Alençon, François, duc d'. Also, the Branle
des Brandens was danced on the first Sunday in Lent*
with a lighted torch in the dancer's hand. Probably this was a remnant of an old superstitious
practice of the ancient
Gauls*. During the month of February, which was the last of the solar year, the ancient
inhabitants of France ran about the forests at night with lighted torches and danced a rite
which was supposed to be one of purification, and also a ceremony which was meant to bring
rest to their departed relatives and friends. This custom was founded in a utilitarian spirit
by the Druidic priests*,
who knew that to run about with lights in the woods would free the trees from caterpillars,
which generally emerge from their eggs in Spring.
The
Charleston dance is said to have had its roots in the Branle as well as the Bourrée
d'Auvergne originAting in the Branle of the Sabots. The Tourdion,
with which the branles concluded, was of livelier rhythm. The Tourdion is the same as the
Gaillarde,
only that the latter is danced with jumping steps, while the Tourdion is glided. The Branle
usually followed the Basse
Dance.
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