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Stage Name |
Birth Name |
Leonard
Harper |
Leonard C. Harper |
| Harper and Blanks |
Arsceola Blanks |
African-American Dancer and
Choreographer. Son of Performer William Harper. Started dancing
early in life as a tap dancer and after his father passed away,
danced in traveling Medicine shows. Before Harper was 20, he and
his new wife, Osceola Blanks, who herself was already a performer
as the "Blanks Sisters" who worked the T.O.B.A. circuit
(Theatre Owners Booking Association) as dancers "Harper
and Blanks ... the Smart Set couple." Their act was based
on the classy Ballroom dances of the day, which was unique for
an African-American couple to perform, at the time, the "White
Ballroom Dances" of the day on stage, altho they were not
the only ones to do it, they where only one of a few who did.
They retired their act in 1926
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after dancing in Lew
Leslie's Blackbirds. She then remained home as a house wife to
Leonard.
Later, during the 1920's,
Harper would be instrumental in transforming Harlem into the cultural
center it was thru his nightclub productions at Connie's Inn,
Lafayette Theatre and the opening of the new Apollo
Theatre which would draw people from all over the world. Harper
was not just a producer, choreographer, dance instructor and director
he was historically bigger, better in so that his theatre works
left a lasting legacy and helped open the door of opportunity
to black performers. Culminating all his directing, productions
and choreography would change all future Broadway shows, especially
thru his direction of the smash hit musical production entitled
"Hot Chocolates" in 1929. He is also credited for directing
the cabaret scenes in the first black talkie film ... The Exile.
He managed both Connie's Inn
and the Kentucky Club in Harlem in the early 1920s which was backed
by mobsters. Later he moved to the Cotton Club and staged many
productions there as well such as The Cotton Club Parade in 1935.
Harper hired or worked with
most of the big name talent that was working the nightclub circuit
of the day, which included names like Bojangles,
Florence Mills, Mae
West, Malcolm X (as a busboy-waiter), Billie Holiday,
Lena Horne,
Fats Waller, Duke Ellington, Louis Armstrong, Vincent Minnelli
(his assistant) etc. In 1925, he also owned his dance
studio in New York's Time Square (Harper Studios) many
then and future stars passed thru his doors, such as Fred
and Adele
Astaire, Busby Berkley's dance troupe and even the Marx Brothers.
In the later part of the 1930's,
the publics interest in these kind of stage shows was changing
and would be the start of Harper's decline in staging and producing
these type of shows in which he excelled at. By the 1940s, when
he could get work, it was usually just as a choreographer, not
as a producer. At age 45, Harper died of a heart attack while
rehearsing a chorus line at Murrian's Harlem Club in 1943.
Mr. Harper has been honored
by the N.Y. Sate Assembly and the City Council of N. Y. for his
remarkable achievements.
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Birth Place |
Birth Date |
Spouse |
Offspring |
| (Leonard) Chicago, Il |
4/9/1898-2/10/1943 |
Osceola Blanks |
Leonard Harper Reid (Grandson) |
| (Osceola) Iowa |
9/5/1897- |
Leonard Harper |
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Dance Types |
Dance Partners |
Music Titles |
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Dave Schaffer (w/
Clarence Muse) |
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George Freeman (comedian) |
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Osceola Blanks |
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Night Clubs |
Theaters |
Stage |
| Connie's Inn (Mgr. and producer) Harlem |
Apollo Theatre |
Adam and Eve in Harlem (1929, produced) |
| Cotton Club (production, staging) Harlem |
Columbia Theatre |
Brown Skin Quinan Revue (1925, staged) |
| Kentucky Club (Mgr and Producer) Harlem |
Grand Terrace Cafe (1934) |
Chicago Rhythm (1935, produced) |
| Murrain's |
Hudson Theatre |
Cotton Club Parade (1925, staged) |
| Ubangi Club (Producer) Harlem |
New Amsterdam Theatre |
Dover To Dixie (1923, London) |
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Frolics, the 1923 (w/Blanks) |
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Harlem Cavalcade (1942) |
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Harlem Follies |
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Hot Chocolates (director) 1929 |
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Hot Feet |
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Hot Harlem (1932, staged) |
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Jimmie Cooper's Revue ? |
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Lew Leslie's Blackbirds (danced and staged) |
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Load of Coal (1929, Connie's Inn) |
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Kentucky Club Revue |
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Midnight Steppers (1927, produced) |
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Mr and Mrs. Brown (dancer, 1912) |
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Pepper Pot Review (1927, produced) |
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Plantation Days (1922 w/
Blanks staged & danced) |
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Rhythm For Sale (1934, produced) |
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Round and Round in Rhythm (Staged) |
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Shubert's Select (1921) 1st
Black Couple hired. |
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Stranded in Africa (dancer, 1912) |
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Swanee Club Review (1927, produced) |
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Ubangi Club Follies (Staged) |
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Stage : "w/ Blanks" means he danced with her here) |
Films |
Television |
Publications |
| 1931 - The Exile (Musical Director) |
n/a |
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