|
|
|
Stage Name |
Birth Name |
| La Argentinita |
Encarnación
López Júlvez |
| "Queen of the Spanish
dance" |
(Encarnacion Lopez Julvez) |
La Argentinita started
doing Spanish dancing at the young age of four with her father
segoviano Felix Lopez by her side playing the Guitar. Later going
to dance schools and dancing in Cafe's (café cantantes)
while making her debut in Madrid at six years of age. Later she
came to the U.S. making her U.S. debut in Lew Leslie's International
Revue at the Majestic Theater in 1930 and unfortunately, the audience
walked out during her dance.
The audience did not appreciate her Spanish
dancing (due to lack of understanding,) but later the world
would clamor to see her dance, She was outstanding. Returning
to Spain, Argentinita and Federico García Lorca organized
the Madrid Ballet in 1932. 1933 La Argentinita attempted the first
large-scale theatrical presentation of an authentic flamenco in
Las calles de Cadiz, also in 1939 she collaborated with Massine
on Capriccio espagnol.
While in Spain she met
a famous Bullfighter named Ignacio Sanchez Mejías (who
was married to Dolores
|
Go'mez Ortega,)
which Argentinita is rumored to have had an affair, however, it
has been written they did not. In 1938, La Argentinita, approached
José
Greco to audition for her company, which he did join in 1943.
Her equally talented sister, Pilar
Lopez danced in her company as well. When Encarnacion died,
José
Greco and her sister, Pilar
Lopez, escorted her body back to Spain. While there, Greco
and Pilar formed a new company Ballet Espagnol to carry on the
works of Argentinita, they would tour all over Europe.
Antonia Mercé or better known as La
Argentina shared a similar name to Argentinita, however they
were two different people. Encarnacion called herself La Argentinita
in homage to Anotonia Mercé (La Argentina).
|
Birth Place |
Birth Date |
Spouse |
Offspring |
| Buenos Aires, Argentina |
3/3/1898 - 9/24/1945 |
n/a |
n/a |
| |
|
|
|
|
Dance Types |
Dance Partners & Troup* |
Music Titles |
| Ballet |
Antonio de Triana |
1926
- Cadiz (Serenata Española) |
| Castillian Dance |
Dorita Ruiz* (1955) |
1926
- Sevilla (Albéniz) |
| El Cafe Chinitas |
Elvira Real* (1955) |
1928
- Cante Jondo (M. Machado &
Font de Anta) |
| Fandango |
Ernesto Lapena* (1955) |
1928 - Tango Rosa (S.
Ballesteros - M. & V. Romero) |
| Flamenco
(cuadro flamenco style) |
Fernanda Antúnez |
1935 - Cordoba (Solo Castanets) |
| Fire
Dance |
Jose de la Vega* (1955) |
1935
- La Espana Cante (Solo Castanets) |
| Jaleo
Andaluz |
José
Greco (1938) |
1943 - Argentinita Dance Album |
| Jota
of A'Caniz |
La Maccarona |
García Lorca (Piano
Player) |
| Peruvian Huayano |
La Malena (1933) |
Gaucho Song |
| Spanish |
Paco de Ronda* (1955) |
Malambo |
| Tango |
Pilar
Lopez* (Sister) |
Canciones populares españolas |
| Tap |
Rafael Ortega |
|
|
|
| |
Don Ramon Montoya (1936) |
|
|
|
| |
|
|
|
|
|
Night Clubs |
Theaters |
Stage etc. |
| Princess Restaurant |
Circo of San
Sebastián (1927) |
1930 - Leslie's
International Revue (1 week) |
| |
|
|
Madrilenian Theatre (1932) |
1930s - Café
de Chinítas (chor) |
| |
|
|
Majestic Theater - USA |
1933 - Las Calles
de Cádiz (below) |
| |
|
|
M.E.T. - USA (1943) |
1935 - The Streets Of Cádiz |
| |
|
|
Olean Theatre
(1939) |
El Huayno (1942) |
| |
|
|
Palace Theatre (1955) |
1955 - Ballet Espanol de Pilar Lopez |
| |
|
|
Philharmonic (1940) |
La Castellana (chor) |
| |
|
|
Poliorama Theater (1934) |
Ritual Fire Dance |
| |
|
|
Theater Champs Elysses (1933) |
|
|
Films |
Television |
Publications |
| 1916 - Flor
de otoño |
n/a |
1/6/1939 - Olean Times-Herald |
| 1923 - Rosario,
la cortijera |
|
|
|
11/1939 - Fresno Bee (Lopez,
Argentinita and Triana) |
| 1927 - La Hermana
San Sulpicio |
|
|
|
11/1940 - American Dancer Magazine |
| 1936 - Carmen
de la Triana |
|
|
|
1942 - Das Unbekannte Spanien (Verlag) |
| 1942 - Spanish
Fiesta |
|
|
|
1940 - Philharmonic
Review San Francisco Opera Assoc. (Book of Programs) |
| 1952 - Duende
& Misterio (Pilar) |
|
|
|
| 1961 - Quinto
año nacional |
|
|
|
|
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|
| NOTE: IMDB.com reports her as being Argentinita Vélez (a possibility,) However they list her incorrectly as Antonia Mercé who was La Argentina (which is another Spanish dancer.) |
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