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Stage Name |
Birth Name |
| Williams
and Walker |
Egbert
Austin Williams |
-
Bert Williams was part of the very successful "Williams and
Walker" comedy vaudeville act. They popularized the "Cakewalk"
by including the dance in many Broadway type plays and brought
the Cakewalk to it's peak around 1898. Bert Williams worked in
many of the Ziegfeld Plays/ Revues of the time.
--
He was reported as not being a very good dancer by many critics
of the time who were not really familiar with that style of dancing
and even reported he seemed clumsy (he wasn't), altho,
those critics didn't report good revues of the Vernacular type
dances that other African-Americans did either. However he was
a brilliant dancer in what he did. His comic dancing was a thing
to behold, as Walker did his famous Strut in the Cakewalk, Williams
would follow behind doing his famous, loosly jointed, slow moving
Mooch dance. This would be named the 'Williams Mooch and Grind,'
which had a sultry, sutle flow that would make any dancer today
stand in awe.
Williams was considered an eccentric
dancer who performed a comedy type, catch-all style of dancing,
incorporating many of the Vernacular dances together when he danced
such as the Mooch, a version of The Georgia Grind, Shuffles, Twists,
Hip Pops and Hops, etc. |
--While still teenagers, Williams met Walker in the early 1890s
in San Francisco, California. Alltho a failure, their first show
together was in 1896 for 'the Gold Bug' in New York. Failure was
not going to stop them however, they kept at it, they went to
London for a few shows, performed in a Senegambian Carnival and
finally the Policy players, were sadly all flops as well. Not
feeling real good about their roles, they decided to do something
different in Minstrel shows and rebel agaisnt the stereotypical
Minstrel Coon, which they had been playing. With this idea in
hand they put together an act titled "The Two Real Coons"
which sounded like a normal Minstrel Parody at the time, it was
actually based on a real African-Amercan DANCE-COMEDY act. In
this show, Williams
played a shifless, strutting 'darky' whose shoes pinched his feet.Mr.
Walker portrayed a real, intellegent, natural high strutting "Darky,"
rather than the 'Blackface stuttering fool' that was usually portrayed.
The show was the turning point for Williams and Walker. Alltho
today these are still considered stereotypical of those times,
they were not back then.
--
In 1898 the two performed for forty weeks at Koster and Bilas
theater and were met with good succes, here they brought the Cakewalk
to its highest degree. 1900 brought 'the Sons of Ham' to audiences
and again was a success and by 1902 they produced one of their
greatest hits 'In Dahomey' in Times Square no less. When In Dahomey
hit London, the Cakewalk was now the in thing and national fad.
--
After George Walker retired from show business in 1907, Bert Williams
went on to perform in the Ziegfeld Follies and was a featured
act in most of the shows untill his death in 1922. |
| For
more info on George Walker go to his page Here!,
for more info on Aida Overton go to her page Here!. |
Birth Place |
Birth Date |
Spouse |
Offspring |
| Nassau,
Bahamas |
11/12/1874-3/4/1922 |
?Lottie
Williams? |
n/a |
|
Night Clubs |
Theaters |
Stage |
| Cotton
Club |
Hurtig
& Seamon's |
1896
- The Gold Bug |
| Jardin
de Paris |
Jardin
de Paris (1910) |
1897
- The Two Real Coons |
| |
|
|
Koster
& Bials (1898) |
1898
- Clorindy, Origin of the Cakewalk |
| |
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|
La
Fayette Theater |
1900
- Sons of Ham |
| |
|
|
Majestic
Theater (1906/08 & 09) |
1902
- In Dahomey |
| |
|
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Midway
Theatre |
1906
- Abyssinia |
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Moulin
Rouge (1912) |
1907
- Bandana Land |
| |
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New
Amsterdam Theater (1917) |
1909
- Mr. Lode of Coal |
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New
York Theater (1903) |
Ziegfeld
Follies - 1910,11,12,14,15,16,17,19 |
| |
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Winter
Garden Theater (1920) |
1920
- Broadway Brevities |
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|
1976
- Bubbling Brown Sugar (His Music) |
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|
1980
- Tintypes (His Music) |
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