-Barton was a Vaudeville Song and dance man. Barton came from a dancing family with his father working for the Primrose and West Minstrels as the interlocutor and his mother being an aspiring ballet dancer plus his Uncle who was a dancer as well. Learning how to dance and perform from your family had its for Barton as by age two he learned his first dance steps and by age four was traveling with his family from 1898 to 1902 doing comedy and dance.

--While working in Vaudeville as a young man he was exposed to as much of the business and entertainment styles he could handle, and handle it he did, he was a sponge and soaked everything all up. He was to become a very versatile performer who became a master at all the Vernacular dances of the day and learned comedy from some of the best in the business. He did it all and very well done at that, a sort of Jack of all steps and mastered them all as well, in essence he was to become a dance genius and an exceptional entertainer.

--From 1907 to 1915 he would venture out on his own taking any performing job he could from Bicycle riding to Comedy, Ice-Skating, Dancing and even Baseball in the North as well as being accepted in the South.

1915 led him to the Columbia Burlesque theatres dancing in a show called the Twentieth Century Maid until 1919. By 1920 he had played just about every Minstrel, Vaudeville and Burlesque house around and even repertory theater. Whenever he was allowed to dance his impact was tremendous.

-- As a dancer, Barton could stop any show in its tracks. Barton got his big break on Broadway with the Passing Show of 1919. With Ed Wynn was unable to fulfill his role and then unknown to Broadway Barton stepped forward from the shadows and asked to take over the role, among many chuckles, murmuring, ribbing and frowns from the cast, the directors thought it might be amusing to let him make a fool of himself. When Barton started to dance Wynn's part, all the chuckles, comments and frowns turned to cheering and applause, he was hired on he spot!. Critics were calling him "a Burlesque obscurity in which he was only known to several hundreds of thousands of people." Barton reached his most acclaim with the critics in 1923 in the Show called Dew Drop Inn, basically he single-handidly stopped the show 10 times by count and danced an otherwise poor production to great success.

--His acts were immense and completely unique; mainly because he got his vast mixture of training first hand rather than say the Hoofers Club where everyone was sharing and doing everyone else's stuff. He would do Struts, a Mooche, a knock-about dance, Military drill, a dying Swan burlesque, Ballroom dances, Ballet, Tap, Pedestal dances, Black face comedy, imitations like Charlie Chaplin, Buck and Wing, Acrobatic dance skits, challenge dances, waltzes and more. He even danced with an imaginary partner mimicking the dance act that proceeded him, which was called burlesquing and his burlesquing of a whole number called the Parade of the Wooden Soldiers from Chauve Souris in 1922 was praised even by the original cast members.

-- Barton's dancing, altho white was said to be the closest to African American vernacular dance as any African-American dancer could ever do. He danced as good lying down as most do standing up. As a dancer Bill "Bojangles" Robinson rarely had any real respect for other dancers, let alone a white one, but James Barton and Eddie Rector were the exceptions. Bojangles and Barton, tho slight became real friends. Bojangles often mentioned that he got all his material from Barton, which wasn't true but do to his respect and friendship for him would almost always mention him publicly (occasionally he would mention Rector) when trying to appease his white fans.

--Barton was also known for some of his "Black face routines" on the Vaudeville Stagebut as Burlesque and Black face were on the way out, Barton would start to get frowns on a few of his acts, critics adding he should become and actor or stay a dancer. On hearing this he decided to head for Hollywood and would do some acting in the legitimate Stage and

Films

Stage