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Fred Astaire dancing with his Cane

Stage Name

Birth Name

Fred Astaire Frederick Austerlitz

   Started dancing ballet at the age of five with his older sister Adele (b.1898) and started studying Tap dancing at the age of eight with La Neva. Fred and Adele danced in Vaudeville and Broadway shows as child performers/ dancers. Fred's Mother was Fred's manager, promoter and chaperone for twenty five years. Fred was mainly home schooled by his mother, and was a very smart child, however his education was very basic (according to Life Magazine 1941.) Fred recalls his first solo was a Buck and Wing on his toes (buck and wing was usually done flat footed) which brought about a few chuckles.

   As young performers Adele was the star of the show, while Fred was just helping out his sister. Fred says it was really hard back then with your older sister a foot taller than you. He goes on to say it was not fun playing the part of the girl and your sister the boy as he kept tripping over his dress and the wig tickled his neck.Because Adele got all the raves and Fred all the frowns and the roles he had to play, he really didn't try very hard but as he got older he would make the effort to be a better partner for his sister Adele. Adele used to lovingly call him "Moanin' Minnie," as he used to whine allot and look for all the negatives.

   After a two year break, Fred's mother sent them to Ned Wayburn who at the time had the market sewed up. Wayburn

Autograph

is the one who told Fred to stop with the Ballet (which he was now taking at Wayburn's studio) and start taking Tap Dance. While with Wayburn he learned to Tap, Clog and Ballroom dance for the Stage. Mrs Astaire, Fred's mother purchased a dance act (a routine) for the kids for a thousand dollars from Wayburn. They learned the act and hit the road and played every rat trap and back woods Inn they could find until they got the act down. Fred only danced with Adele at this point with no solos for him during his Vaudeville days, so Fred still had no personality in his performances and the critics reported on the fact he had "a blasé air about him and was a Lackadaisical dancer." Altho the strain was starting to show, this didn't stop Fred, he just kept working. This lackadaisical air would eventually turn into a carefree, easy going, cool and collected dancer, while others who started young were beginning to burn out, Fred was finally starting to have fun and enjoy the dancing. His roles after this point were never a chore.

   In 1913 the Astaire's started working with the Top Ballroom, Acrobatics and Flash coaches of the day called "the Coccias. Aurelio Coccia threw out the corny Wayburn routine and gave them a streamlined, show stopping routine. Fred is reported to say he (Coccias) was the most influential man in his career with the Castles being second. Later, Irene Castle personally requested Fred to play her husband in the film "The Story of Vernon and Irene Castle."

    In 1916 Fred and Adele made their first somewhat successful Broadway musical debut in "Over The Top" and would go on to become Broadway stars. They continued to Broadway shows with Fred only dancing with Adele, but this was about to change. In 1925 Fred had worked out a solo Tap routine in Lady Be Good by George Gershwin, but promptly dropped it from the act but his reputation as a tap dancer was growing. He entered a Buck dancing contest "In Old Kentucky."

   When he got into his teens and the size issue balanced out their acts, Fred would start to work harder, especially in ballroom dances and continued working with Tap, however Adele was still the star during their Stage show which he earned third against some of the best.

   Fred and Adele tried the Nightclub circuit but said he and Adele hated it. The constant changing routines every night to be fresh and new was a pain, let alone two or three times a night with half the noisy audience changing as the night wore on. They lasted 6 weeks and quit at the Trocadero in New York.

   As Adele became older and gentleman suitors started coming around, she became difficult to work with as she was always to busy (dating) to put the time in Fred wanted her too, but really was mainly due to Fred starting to get more attention than her. Fred and his sister started working with Buddy Bradley during this time. Adele finally married one of her suitors "Lord Cavendish," and retired from the Stage in 1932. In 1935 Fred got a part in Radio show called the Packard Hourwhere he had to make better use of his singing voice and the sounds his feet were making. Through Fred's performing on Stage with many great dancers such as the De Marcos, The Cansino's, Eddie Rector, Bojangles etc. He was sure to pick up a thing here and there.Fred went to Hollywood around 1933 to be in Films with his first being Dancing Lady with Joan Crawford and continued to make many movies over time with many different partners, his most famous teaming was with Ginger Rogers. Fred and Gingers last film together was in 1939 but got together again to film the Barkleys of Broadway in 1949.

   Fred and Ginger were probably the most famous of all the ballroom dance teams as well as the greatest money making dance team the studio's ever had. Fred's unique style was his ability to mix Tap, Ballet and Ballroom with grace and ease. Astaire had an air of "Style, Sophistication, Gay spontaneity and Class" which no doubt would help make him a star. Fred giving tribute also danced a Bojangles routine in the movie "Swingtime" and portrayed Vernon Castle in the movie "The Story of Vernon and Irene Castle" with Ginger Rogers.

    During W.W.II, Fred entertained the troops in France, Belgium and Holland. Fred opened his dance studio in 1947 with plans to make it an international chain, which he did. Astaire actually had very little to do with the chain studio's that bore his name. Ballet was the main foundation of Fred Astaire, with Ballroom and Tap dance being his claim to fame but he was never truly a "Hoofer," he was a dancer.

   Ned Wayburnwas quoted as saying when speaking of Tap; "Fred Astaire was the first American tap dancer to consciously employ the full resources of his arms, hands and torso for visual ornamentation." Altho Fred's dancing was good but never the best, he had something most others didn't posses ... a sense of CLASS!"

Birth Place

Birth Date

Spouse

Offspring

Omaha , Nebraska

5/10/1899 - 6/22/1987

Phyllis Potter

Fred Astaire Jr.

     

Robyn Smith

Peter Potter.

     

Ava Astaire MacKenzie

 

Dance Partners

Music Titles

Publications

Adele Astaire

1916 - My Corey Melody

7/19/1924- Pop Music & Dancing Weekly

Audrey Hepburn

1923 - You've Such a Lot

4/1926 - Theater Magazine (w/adele)

Ava Gardiner

1930 - Be Good To Me

12/28/1936 - Life Magazine

Claire Luce

1930 - If I Were You Love

5/1937 - Screen Romance

Cyd Cherisse

1930 - I'm Glad I Waited

6/5/1937 - Liberty Mag

Danny Kaye

1930 - You're Driving Me Crazy

2/1939 - Stage Magazine.

Dolores Del Rio

1931 - Hoops (Adele)

3/27/1939 - Life Magazine

Eleanor Powell

1931 - Sweet Music (Adele)

8/25/1941 - Life Magazine (with his Son)

Gene Kelly

1931 - New Sun In The Sky

10/10/1941 - Time Mag.

Ginger Rogers

1931 - Miserable With You

12/1942 - Dance Magazine

Joan Caufield

1931 - I Love Louisa (Adele)

9/1945 - Dance Magazine

Joan Fontaine

1931 - The Beggar Waltz

1/8/1949 - Colliers Magazine

Joan Leslie

1931 - White Heat (Adele)

$ 1995 - Dance Till Dawn

Judy Garland

     

$ 2000 - Steps In Time

June Powell

     

$ 1993 - Missing Fred Astaire

Leslie Caron

Astaire Sheet Music Titles

$ Fred Astaire - The Man, The Dancer

Lucille Bremmer

Astaire, the

$ Jazz Dance (Marshall Stearns)

Marilyn Miller (Smiles)

Carioca, the

See All Astaire Books

Marjorie Reynolds

Continental, the

     

Paulette Goddard

Creep, the

     

Rita Hayworth

Piccolino, the

     

Tilly Losch

Yam, the

     

Vera Ellen

       
 

Films

Stage

Clubs / Theaters

1933 - Dancing Lady (w/ Crawford)

New Songs and Smart Dances (their Act)

44th Street Roof Garden

Dancing in The Dark

1916 - Over The Top (debut)

Alvin Theatre

1933 - Flying Down to Rio (w/ Ginger)

1916/18 - Passing Show of 1918

Ethel Barrymore Thtr (1932)

1935 - Top Hat (w/ Ginger)

1919 - Apple Blossoms (w/Adele)

Globe Theater (1919)

1935 - Roberta (w/ Ginger)

1921 - Love Letter (w/Adele)

Liberty Theater (1924)

1936 - Follow The Fleet (w/ Ginger)

1922 - For Goodness Sake

Lyric Theater (1922)

1936 - Swingtime (w/ Ginger)

1922 - The Bunch and Judy (w/Adele)

New Amsterdam Thtr (1931)

1937 - Damsel in Distress (w/ Fontaine)  

1923 - Stop Flirting

Ohio Theater (1932)

1937 - Shall We Dance (w/ Ginger)  

1924 - Lady Be Good (w/Adele)

Shaftesbury Theatre (1923)

1938 - Carefree (w/ Ginger)  

1927 - Funny Face

Trocadero Night Club

1939 - Story of Vernon... (w/ Ginger)

1930 - Smiles (w/ marilyn Miller)

Winter Garden Theater (1918)

1941 - Second Chorus (w/ Goddard)

1931 - Band Wagon (w/Adele)

Ziegfeld Theater (1930)

1941 - You'll Never Get Rich (w/ Hayworth)

1932 - Gay Divorcee (w/ Luce)

     

$ 1942 - You Were Never Lovelier

       

1945 - Yolanda & The Thief

Television

Fred's Dances

1945 - Ziegfeld Follies

1958 - Fabulous Fred Astaire

Acrobatic / Adagio

1949 - Barkleys of Broadway (w/ Ginger)

     

Astaire, the

$ 1946 - Blue Skies

     

Ballet

$ 1950 - Let's Dance

     

Ballroom Dances

$ 1950 - Three Little Words

Astaire's Dance Teachers

Buck and Wing

$ 1951 - Royal Wedding

Buddy Bradley (Vernacular 1930s)

Carioca, the

$ 1952 - Belle of New York

Coccias, the (Acrobatics & Flash 1913)

Clog

$ 1953 - Band Wagon

La Neva - Alvienne (1906 Ballet)

Continental, the

$ 1957 - Funny Face

Ned Wayburn (1910s Tap, Ballroom etc)

Highland Fling

$ 1957 - Silk Stockings

     

Hoop Dance

1968 - Finian's Rainbow

     

Jitter-Jive

       

Piccolino, the

       

Rumba

       

Soft Shoe

       

Tap Dance

       

Yam, the

       

Waltz

NOTE: N/A

December 30, 2009

http://www.Streetswing.com/histmain/d5index.htm